Craig Zobel understands that his new film, “Compliance,” makes audiences uncomfortable to the point of creeping them out. That’s kind of the point, the filmmaker says.
“There is that line,” Zobel says. “Obviously, it’s not ideal if you make something that disturbs people so much that they walk out. But this film needed to be challenging. It’s an important story because of how dark it goes. What scares me is that whole idea of who we think we are and who we are when put in a situation like this.”
Based on actual cases, “Compliance” is a fiction film essentially shot on one small set: a mock-up of a fast-food restaurant. The film deals with the manager of a fast-food restaurant (and her employees) who are manipulated by a caller claiming to be a police officer – who tells them that a young female employee has been accused of stealing from a customer. More to the point, he wants the manager to hold her until he gets there and, in the meantime, conduct a thorough search of the young woman. A strip-search.
Aside from the actual incidents (of which there were dozens), Zobel also drew on the Stanford prison experiments (which cast students as guards or prisoners, then revealed just how far the guards would go in dehumanizing the prisoners) and the Stanley Milgram experiments (in which people were instructed to shock subjects who delivered wrong answers).
Zobel still isn’t sure whether anyone can guard against a situation like this one: “That scares me – and that makes it an interesting place to talk about in an artistic way.”
We here at Noir Con absolutely love everything that’s noir or that even remotely resembles noir. I like all the golden oldies from times long past, but I also loved Sin City, which was kinda noir in its own right. There are plenty of other films that I love too. Take for example the Blair Witch Project. I have a thing for all things indie, too. And Blair Witch was definitely indie! Another film that I have loved, was Paranormal Activity. I wouldn’t exactly call that noir, but it was defo indie! I also have a thing for movies that tell a real story, or at least a story that could’ve been real. Think of The Hurt Locker, American Sniper and… 127 Hours.
What not many people know is that I have another hobby next to film noir, and that is hiking. And since 127 Hours is a film that tells a real story about a real hike, in which an unfortunate hiker caller Aron Ralston had to cut off his own arm, I really loved that movie. When I’m watching any kind of movie, I’m always asking myself if it could somehow be turned into a noir version of itself. And I’m thinking that it could. In 127 Hours, we witness Aron trapped between a rock and a hard place. When push comes to shove, he takes the knife to himself and proceeds with a surgery no man would ever have to face. The loneliness and desperation must’ve been gruelling. It seems to me that this would’ve been the perfect film noir moment.
I have hiked on many occasions in my life. I started out hiking when I was in my teens and am still doing it frequently to this very day. I wish I could be a weekly hiker, but my time schedule does not permit me to be that. I hike on average 4-5 times a year. While I have never been in a pressing situation such as that of Aron Ralston, I have had my own little dangerous moment…
This one time, I wandered of the beaten bath and decided to go for a little slippery rock climb. The climb didn’t look so dangerous, so I thought… what the heck. Had I known what would happen shortly after, I never would’ve attempted it. I slipped and twisted my ankle. It hurt. The pain was so bad that I couldn’t walk. So I sat down and took my boot off. The ankle was all swollen. Seeing as how I was close to a cold spring, I put my foot in the water and let the cold temperature take care of the swelling. I must’ve sat there for an hour or so.
All that time, I was wondering if somebody would come to my rescue. But it was a lonely trail and nobody came by. There was no signal so I couldn’t call anybody. I was on my own. Thankfully, my decision to dip my ankle in the cold water had paid off. The swelling went down and so did the pain. I was also smart enough to bring another pair of shoes. My ankle wasn’t going to go back into my hiking boot again. I wouldn’t have been able to fit it in even if I had brought a hammer. I brought my favorite pair of gym shoes with me. Just like my hiking boots, my gym shoes are of high quality and give me great support. I got the ones from New Balance that are recommended on Brian Bradshaw’s Boot Bomb site. They have low ankles, so I was able to fit in. I finished the hike back home with my regular shoes and saved myself from having to sleep a night under the stars in doing so.
I sincerely doubt that anybody is ever going to make a film noir about me and my klutzy hiking experience. But in that very moment where I was waiting around, trying to come up with the best solution, the panic was real. I mean, my mind was racing. What if it was broken? I was imagining that I’d had to spend the night there and then, on the spot. And maybe, the next day nobody would find me still. I was starting to fear like I would just have to hang out there and just die from hunger. It was the biggest scare of my life. When I told my parents and friends about it, they were in shock as well. How could I have been so careless? Why didn’t I bring anybody with me? I was not to hike on my own anymore after this. What if I had died!
Thankfully it only a sprained ankle. It hurt for weeks after the incident. The panic I experienced in the first hour was much worse than the pain from the ankle sprain. It was a long time ago, when I was still young, stubborn and stupid. But at that point, I had to admit that my parents were right. Hiking on your own can be dangerous. This one time I was reading a story on Reddit about a hiker who had found another hiker with a broken ankle. He was in basically the same position as me, except worse (since it was broken). He couldn’t do anything anymore. He had to just sit there and wait for somebody to stop by. And thankfully somebody did. That somebody was the guy who posted the story on Reddit. The poor guy. He was going for a relaxing hike, and he comes across a helpless fellow hiker with a broken ankle and he can’t leave him to his fate.
I’m glad I wasn’t in that situation, where another hiker has to sacrifice his afternoon to save my life. I got lucky when I merely sprained my ankle, instead of having broken it. I could’ve easily broken it. With the way my ankle twisted, I’m surprised that it didn’t! Must’ve been because I was still young then. But either way, it was a valuable lesson, this moment of lonely terror and panic. One that, to this very day, I intend to turn into a film noir short titled ‘1 Hour’.
A brief discussion of the Film Noir and Neo Noir genre written by: sourav sarkar More likely, a mood or tone, rather than a genre, ‘film noir’ usually refers to a period of filmmaking in France, right after World War II. First by French film critics around the 1940s. The literal translation means a ‘Black film’, seems fitting since many noticed the sense of darkness, downbeat, despair, insecurities of that time.
Often, a story would revolve around a cynical, hard-headed, male character, disillusioned from society’s norms, who would meet a beautiful, amoral, seductive female. Betrayal, manipulation, murder, all were common themes of the film noir. The violent, misogynistic views of anti-heroes are used to show the symptoms of society’s evils, moral conflict, and experiences of injustice. Often dealing with the underworld gangsters and criminals. Don’t expect many happy endings. The visual shots were taken from unusual places and use shadow and low lighting.
American crime and detective films such as The Maltese Falcon (1941), Murder, The Woman in the Window (1944), and Laura (1944) were released in France after the war, they are some all-time classics of the genre.
Neo-noir can be a separate genre on its own. Neo-noir, broadly speaking, it uses the film-noir visual aesthetics and themes and applies them to movies from the 1970s or even later noir mode. In other words, neo-noir is the modern version of the film noir but staying true to its historical themes.
Neo-noir films developed as a consequence of changing certain social attitudes. We see once more the audience building a relationship with the anti-hero. Some of the issues in neo-noir films include identity, subjectivity, generation, social consequences, and memory troubles. There may be lots of nudity and displays of sexuality, excessive violence and previously taboo subjects inclusive of pedophilia. This displays a change in society’s tolerance for content, adjustments in gender dynamics, racial diversity and so forth.
Relocating from one place to another can be a very time consuming process as you will need to put in a lot of time and effort for relocation. But the most important thing that you will need to do is to look for a real estate agent because finding a good real estate agent when relocating is the best way of getting complete peace of mind. The real estate agent will help you to find a place where you can live comfortably and will also assist you in safeguarding your financial interest when you want to buy a property.
You need to look for someone who is reliable and trustworthy and for this you will need to do proper research so that you can find someone who will fulfill all your needs and requirements. You will also need to look for the experience, skills and expertise of the real estate agent so that you can hire a professional who will offer you the best quality service at an affordable price.
There are different ways of finding a good real estate agent when relocating but the best way is to look for the experience of the professionals as it is the best way of assessing the quality of work that you will get from the agent.
With more years of experience, the real estate will help you in finding the best property so that you can relocate to a new place easily and conveniently without facing any kind of issues. The license of the real estate agent is also an important factor that you will need to consider and hence you will need to look for someone who has been licensed by the approved authority for carrying on the task of buying and selling properties.
This is the best way in which you can enjoy painless real estate transaction because when you hire a good real estate agent, you will help you make most of your money. The professional will also take less brokerage charge for his service and hence you will be able to save a considerable amount of money when you hire an experienced and reliable real estate agent when you are relocating.
Real estate agents are considered as the most important part of the buying and selling process who can offer you unique experience and insights for making sure that you can enjoy a smooth and hassle free relocation, so I’m on the lookout for a good Frisco Realtor for this process. Since relocation is the most incredibly important task, you will need to look for a real estate agent who is trustworthy and reliable since property is the biggest asset for you.
Therefore you need to look for a real estate agent with high degree of dedication and professionalism to their work as this is important for providing you with the highest quality of service. The agent also need to carry on proper investigation before buying or selling properties so that you can make the best deal without losing your money in any manner in the property transactions when relocating.
The best way to tell you about the line up for NoirCon 2012, is to let the line up speak for itself. Here it is in a nutshell or as NoirCon 2012 At-A-Glance! Take a moment to visit the websites of these talented individuals and see the noir magic that will come to life at NoirCon 2012!
NoirCon At-A-Glance 2012 [§,*]
Masters of Ceremony: Charles Benoit and Edward G. Pettit
Thursday, November 8th – Phila Mausoleum of Contemporary Art, 531 North 12th Street, 19123 www.philamoca.org, 267-
Heide Hatry – The Art of Noir
Peter Rozovsky – Project Noir Songs
The Scovilles – The Live Music of Noir
Oren Shai – The Condemned
Friday, November 9th – Society Hill Playhouse, 507 South 8th Street, 19147,
The Art of Noir – Heide Hatry
Career in C Minor – Wesley Stace, Nathaniel Larson, Cullen Gallagher (moderator)
Good Country People (Southern Noir) – Peter Farris, Vicki Hendricks, Jake Hinkson, Joe Samuel Starnes (moderator), Jonathan Woods
L.A.Noire – Megan Abbot, Lawrence Block, Joyce Carol Oates, Jonathan Santlofer (moderator), Duane Swierczynski
Double Trouble: Taking Noir Personally: Polito and Schenkar – Robert Polito and Joan Schenkar
Jeremiah Healy Interviews Otto Penzler
NoirCon 2012 Award Dinner – Penns Landing Caterer, 1301 South Columbus Blvd, 19147, 215-336-7404,
3rd Goodis Award (Block/Boxer), 3rd Kogan Award (Penzler/Kogan), 1st NoirCon 2012 Poetry Award (Polito) Music: DJ Mobita Entertainment: Grover Silcox- Tell Tale Heart
Saturday, November 10th – Society Hill Playhouse, 507 South 8th Street, 19147
True Crime – Megan Abbot, Alison Gaylin, Wallace Stroby, Dennis Tafoya
NoirCon 2012 Keynote Speaker – Robert Olen Butler
When Amish children turn 16, the rules change. They’re encouraged to experiment and explore. The idea is that teens will come back to the church after tasting the modern world. For most, this means a tentative foray — a trip to the local movie theater, or driving lessons. But for some, the experience, called rumspringa, is all about sex, parties and fast cars. Here is a story of rumspringa gone awry!
JUNE 21–An Amish man who sent hundreds of sexually charged text messages to a 12-year-old girl was arrested last week when he drove a horse and buggy to an Indiana restaurant where he had arranged a rendezvous with the child, according to police.
Nabbed in an undercover sting, Willard Yoder, 21, is facing four felony counts for allegedly soliciting sex from the minor. Yoder, pictured in the mug shot at right, is free on $20,000 bond.
In one text, Yoder told the girl that, “the proposed sex act would happen inside the buggy,” according to a Connersville Police Department report.
Yoder’s contact with the girl began with a random text sent to her phone. When the child’s parents learned of their daughter’s contact with Yoder, they took control of her phone and continued communicating with Yoder, who sent about 600 texts, as well as nude photos and explicit videos to the girl.
The parents then contacted the police, and officers took over the sting operation. After arranging the Wednesday night meeting, cops staking out the Takehome restaurant reported seeing “the outline of a carriage type buggy pulled by one horse and what appeared to be one occupant.”
Investigators noted that Yoder, who was busted outside the eatery, was cooperative and “walked his horse and buggy around the building and tied it to a post outside.” During questioning, cops reported, Yoder admitted contacting the girl’s cell phone “by chance” and “advised that he thought he was going to have sex with the girl,” whom he thought was 13.
Yoder also noted that he “realized that it was a bad decision and had never done anything like this before.”
The Malloch Apartments, 1360 Montgomery Street (Between Filbert and Alta Streets). Looking West. Bay Bridge in distance. The Malloch Apartments were designed were designed in the streamline Modern style by Irvin Goldstine and Jack S. and J. Rolph Malloch, a father-and-son architect team who were its first residents. The four story, white and silver building stands justa block south of the edge of Telegraph Hill where Montgomery Street splits into two levels, and is sheltered by English hawthorne trees, giant draecaena, and a bright shrub of pink geraniums. Bogart in third floor, front window.
Note the frosted Art Nouveau Window
Two forty foot high sgraffito murals by Alfred DuPont cover its north and west walls. One mural depicts Commerce, a strong barrel chested figure who cradles the earth in his arms. At the bottom, a freighter passes under the Bay Bridge, which was completed the same year as the Malloch.
North Wall at Filbert and Montgomery, Commerce
The current resident of Irene Jansen’s third floor apartment has posted in her window a card board cut-out of Bogart.
West Wall at Alta and Montgomery, the mural depicts Discovery, at whose feet sit a compass and a gold-rush-era clipper.
Coit Tower looking up from 1360 Montgomery Street
The famous elevator in DARK PASSAGE. A young Bogart retracing the steps. This is the most remarkable feature of the Malloch Building. It can be accessed via a silver door in the building’s lobby. The frosted glass elevator is exposed is exposed to the street and backlit, so that you can see the elevator rising in the night (as seen in DARK PASSAGE), as if through liquid silver.
Frosted window on third floor outside of Irene Jensen’s apartment.
Looking up the Filbert Steps toward Montgomery Street
Steps leading from the hill above to the Malloch Apartments at Filbert and Montgomery Streets.
Upper street where Bogart saw Madge Rapf leaving Irene Jansen’s apartment
Moving east across town to the base of the Golden Gate Bridge. Location of Bogart throwing Clifton Young (Baker) off the rock to his death at Fort Point.